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traces and memories
(english text below)
Letztendlich ist es einfach die frage was bleibt – von mir, der Gesellschaft, der erlebten Zeit.
Aufgrund der möglichen Manipulationen der inzwischen nahezu unüberschaubar gewordenen, auf verschiedenen Medien einfach festgehaltenen oder medial gerecht korrigierten Erinnerungen oder Vorgänge ergeben die komplexen Zusammenhänge der virtuellen mit den realen Spuren ein oftmals völlig von den tatsächlichen Begebenheiten losgelöstes Bild.
Dies zu erkennen und zu hinterfragen, die Wahrnehmung der Spuren und Erinnerungen in der uns umgebenden realen wie virtuellen Welt – aber auch das Verblassen und der Verlust von Erinnerungen und Spuren sind die Ausgangspunkte der Arbeiten.

about life
memories as an essential part to allocate current information (I)
the trunk (2020) aluminium mirror-polished, light-tubes, led (inner  ring/core lying 142 x 15 x 9 cm, lost branch 14 x 73 x 4 cm,  inner ring standing 15 x 15 x 66 cm, outer rings 35 x 32 x 17,5 cm)

 

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about life – memories
memories as an essential part to allocate current information (II)
the core – starting point and basis (2020) aluminium mirror-polished, old light-tubes, led (150 x 32 x 32 cm)
bark – fading memories as part and essence (2020) resin, rests of bark (original size)

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wheel-circle II – traces
impossible reconstruction of the original trace
(how toclear traces/information)(2020) aluminium, graphite wheels (136 x 136 x 8 cm)

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blades of green
life cycles and their traces (2020) blades: aluminium, resin, recycled glass, led (22 x 78 x 6cm), branches: resin, graphite (24-63cm), nest: cable-reels (34 x 22cm)

threshold stack / row
(2019/2021) aluminium, resin, recycled glass, led ( 107 x 37 x 33cm / 6 pc. 107 x 15 x 5,5 cm)
fading memories / bark
(2020) resin, rests of bark (original size / 27 x 5-6 x 1 cm)

traces (set wrong traces)
(2020) stamp (10 x 15 cm)

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short cuts
gone (2022) ice letters (8 x 4 x 22 cm)
futile reconstruction of an icicle (2021) broken parts of an enormous icicle (l ap. 90 x 12 cm)
face trace (2021) stamp of my face, tape (10 x 15 cm)

traces and memories

In the end, it is simply a question of what remains – of me, of society, of the time experienced.
Due to the possible manipulations of the memories or processes that have become almost unmanageable in the meantime, simply recorded on various media or justly corrected by the media, the complex connections of the virtual with the real traces result in a picture that is often completely detached from the actual events.
Recognising and questioning this, the perception of traces and memories in the real and virtual world surrounding us – but also the fading and loss of memories and traces are the starting points of the works.

what´s in a name
2017 resin, sand, light-rod (54 x 19 x 10 cm)

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